Browse Items (19 total)

Henry Wellge was another artist who, like Herman Brosius, worked a great deal in the Midwest and Canada, and often in association with the publisher Joseph Stoner. Starting in 1880, he drew about forty views for Stoner through 1884, when Stoner…

Made in the same year as John Bachman's Bird's Eye View of Philadelphia, though from a less dramatic vantage point, this panoramic overlook was made after a watercolor by John William Hill, son of John Hill, who aquatinted the sheets from Lucas'…

From volume II of Picturesque America

In June 1872, the publishing firm D. Appleton and Company sent its agents out across the country to solicit subscriptions for its ambitious Picturesque America. Already under production for several years, the…

The Smith brothers owe their introduction to the view making business to Edwin Whitefield. Francis and George Warren Smith worked as agents for Whitefield—they sold subscriptions in the various towns and cities he drew—as early as 1846, and…

Known today almost exclusively as the location where the Continental Army camped in the winter of 1777-78 during the American Revolutionary War, Valley Forge, as this lithograph demonstrates, was a small but thriving town throughout much of the later…

Around the time he began work on North American Scenery, Whitefield also initiated a series of larger panoramas featuring major metropolitan areas that he later collected under the title Whitefield’s Original Views of North American Cities and…

The plan for Reading was laid out in 1743 by Richard and Thomas Penn, the sons of William Penn and proprietors of the colony of Pennsylvania since the elder Penn's death in 1718. The town, soon to be the county seat of Berks County (chartered in…

Today a community with widely diversified industries, Williamsport was, from the time of its founding in 1795, and still in 1854 when John Bachelder created his drawing, a thriving lumber city. This view of Williamsport was sketched from the slopes…

From the series North American Scenery

While the prospectus for North American Scenery called for “engravings printed in tints,” the sheets are in fact hand-colored lithographs. And although Whitefield would later become proficient in…