Browse Items (11 total)

The drawing appears to be one of several studies for the painting on which the related print is based. This is typical of Buhot’s constant movement of compositional ideas from one medium to another with accompanying changes of format and detail. It…

The imagery for this print was begun in 1877 on the right side of the composition as a bookplate for the bookseller Leon Lerey and was never completed. A few impressions were printed, and the plate was then put aside. Ten years later, Buhot retrieved…

Le Hibou marks something of a summary and culmination of Buhot’s graphic work, even though it is not his last print, nor his last etching. Many of the elements that fascinated him through the years—cabs, ships, lanterns, umbrellas, village…

Victor Hugo was Buhot’s favorite poet, and this fantastic image was originally intended to be an illustration for an edition of Hugo’s Les Voix intérieures, les rayons et les ombres. The work is, however, more an evocation of Hugo’s poetry and…

Principally preoccupied with the depiction of weather conditions, Buhot rarely etched an interior scene (except for book illustrations). But Woman Reading by Lamplight, with its direct and reflected lights and subtle intermediate tones, is a…

Jacques Cazotte’s novel The Devil in Love, written in 1772, was the precursor of all modern fantastic stories. It tells of a young Spanish nobleman with whom the devil falls in love and tries to seduce in the guise of a beautiful woman, and blends…

Jacques Cazotte’s novel The Devil in Love, written in 1772, was the precursor of all modern fantastic stories. It tells of a young Spanish nobleman with whom the devil falls in love and tries to seduce in the guise of a beautiful woman, and blends…

Jacques Cazotte’s novel The Devil in Love, written in 1772, was the precursor of all modern fantastic stories. It tells of a young Spanish nobleman with whom the devil falls in love and tries to seduce in the guise of a beautiful woman, and blends…

The etching is one of many illustrations Buhot made for fantastic novels by Jules Barbey d’Aurevilly. Even though the plate would eventually be cut down to feature just the main subject for the book, we can see that Buhot could not resist the…

The first part of the title refers to a section of poems in Charles Baudelaire’s Les Fleurs du mal; the second part is simply descriptive. The etching is based on a painting of 1876 and is realized in reverse. The cab is engulfed in darkness, and…

This impression, in black, was intended as a design for the back cover of the portfolio Buhot published in 1883 under the title Japonisme. It consisted of ten etchings after Japanese art objects from the collection of Philippe Burty, the French…