Browse Items (3 total)

In one of the most drastic transformations in Buhot’s graphic work, the plate for A Pier in England, until then worked up in drypoint, roulette, and aquatint, was plunged into an acid bath—to become an etching. The airiness and brightness of the…

In this print Buhot essentially repeated the composition of A Landing in England in reverse, ostensibly because he had more to say about the subject. This first state of the print, almost pure drypoint, was printed in eighteen impressions, which vary…

The location of this scene is Folkestone, long an important port in Kent on the English Channel. The weather is stormy, as it often is in Buhot’s prints, and as it often is in England. This impression is from the final state, after the illustrated…